Final installment of the award-winning series from Undertow Publications. Available for purchase here.
Category: Page Designs
A recent novella by Paul Di Filippo from PS Publishing.
Lee—Girls of the Golden West
This is the first book for a new client, Texas Christian University Press, a novel, Girls of the Golden West, by James Ward Lee. I designed both jacket and interior.
Lauck: Warm Center, Ragged Edge
Page design and layout for the University of Iowa Press, Jon K. Lauck, From Warm Center To Ragged Edge: The Erosion Of Midwestern Literary And Historical Regionalism, 1920–1965. The text was fairly straightforward, but half the book was an endnote chapter. Because there were so many notes (and presumably important), I had to balance readability with keeping them from taking up too many pages.
Shadows and Tall Trees, Vol. 7
Shadows and Tall Trees, Vol. 7 came out a few months ago, from Undertow Publications. It’s an anthology of new short fiction. I did interior design and layout.
Vince Haig did the swell cover art and typography. My wife, Rebecca Kuder, has a story in it. Because this is my blog and I can do what I want, I used her story for a sample of story opener and story spread. Please go order a copy of the book here.
The Meanings of J. Robert Oppenheimer
Book interior for the University of Iowa Press. Ordering info here.
New Work, Aickman’s Heirs
I finished a book for Michael Kelly’s Undertow Publications called Aickman’s Heirs. It’s a multi-author anthology of stories inspired by the work of Robert Aickman—a writer I very much admire. In his introduction, the editor, Simon Strantzas, describes it thusly: “a sampler of how Robert Aickman’s work has become a significant source of inspiration for contemporary writers.”
Designing a multi-author work is always challenging. Some stories had longer titles, some had section numbers, and two had epigraphs. I created a space for the story openers that would allow for two- or three-line story titles and epigraphs, but keep the first line (or first section number) of the story falling in the same place, regardless. I didn’t feel a need to try to capture the sense of unease and bafflement that fills much of Aickman’s writing; rather, I wanted something clean and clear.